The mystery provocateurs behind last week’s eight-foot-tall golden monument of President Donald Trump crushing Lady Liberty have returned to Washington, D.C.’s National Mall with another contribution to the genre of unauthorized presidential fan art—this time, video.
On Thursday morning, a life-sized, gold-painted television set appeared near Third Street NW, pointed squarely at the Capitol, the Washington Post reported. Its screen played a silent, 15-second loop of Donald Trump performing his now-infamous slow-motion dance moves—arms stiff, hips ambivalent, a slow-grinding shimmy—set against backdrops ranging from campaign rallies to a party with Jeffrey Epstein. The latter, for those who have forgotten, was the late financier and convicted sex offender who died while awaiting trial in 2019.
Above the TV sat a spray-painted gold eagle, wings spread in what might generously be described as majesty. Gold ivy trailed down the sides like a rejected Versace ad. At the base, a plaque read: In the United States of America you have the freedom to display your so-called ‘art,’ no matter how ugly it is. — The Trump White House, June 2025
The quote was pulled from a White House statement last week responding to the previous installation, Dictator Approved—a golden thumbs-up smashing the Statue of Liberty’s crown, accompanied by fawning quotes from Trump’s strongman fan club: Vladimir Putin, Viktor Orbán, Jair Bolsonaro, and Kim Jong Un.
An anti-Trump art installation statue is seen in front of the U.S. Capitol on the National Mall on June 17, 2025 in Washington, DC.
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According to its National Park Service permit, the purpose of the video work is to “demonstrate freedom of speech and artistic expression using political imagery.” Translation: trolling with a permit. The piece is allowed to remain on the Mall through Sunday at 8 p.m., barring executive orders to the contrary.
The White House, still nursing its bruised aesthetic sensibilities from last week, was again unamused.
“Wow, these liberal activists masquerading as ‘artists,’ are dumber than I thought!” said White House spokesperson Abigail Jackson, in a statement presumably meant to be read aloud in all caps. “I’ve tricked them into taking down their ugly sculpture and replacing it with a beautiful video of the president’s legendary dance moves that will bring joy and inspiration to all tourists traversing our National Mall.”
She concluded: “Maybe they will put this on their next sculpture.”
As for who’s behind all this? Still a mystery. The materials and gallows humor are consistent with guerrilla works that popped up last fall in D.C., Portland, and Philadelphia: a bronze tiki torch, a replica of Nancy Pelosi’s desk topped with fake poop—part performance art, part lowbrow indictment of the January 6 insurrection.
Permit records list a “Mary Harris” as the applicant, though no contact details were provided. For those into clues: Mary Harris Jones was the real name of labor leader “Mother” Jones. Either the artist is playing a long game or moonlighting as a U.S. history teacher.
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